Artists

Alexander Willemse

Aleksander Willemse

Aleksander Willemse (1968) graduated ‘cum laude’ from the Photo Academy Amsterdam in 2010. Since then he won and got nominated for several photo prices like TPAA 2010 and 2011, de Fotoprijs and PANL. His work is exhibited in several musea and on national and international photo festivals like Noorderlicht, GRID Amsterdam and Photo Festival Naarden.

The work of Aleksander has its origin in the advertising business, it was there where he was spreading the faith in the strength of a supermarket, the status of a car and the financial gain of a bank. For Aleksander the advertising maker is the Michelangelo of the 20th century, faith as the best marketed product in the history of mankind. His personal work ‘sells’ a different view at things in life. And it is all up to yourself wether you are open for it or not. Although it is not focused on hard sales, it is not less commercial. It does not necessarily provide a good feeling. The work is usually highly stylized and clean designed.

Exhibitions

2015 | 10-10 – 31-10 | A room with a view | International Photofestival Leiden | Leiden

2015 | 10-09 – 20-09 | A room with a view | Photoville | New York

2015 | 15-06 – 31-12 | Enjoy Life (title inspired by Coca Cola | George | Lelystad

2015 | 06-03 – 10-06 | Food prints | Gemeentehuis | Urk

2015 | 05-10 – 01-03 | Met de wilde frisheid van limoenen | Reade | Amsterdam

2014 | 11-12 – 05-03 | Still traveling exhibition Views of Fotofestival Naarden | Carteblanche | Amsterdam ZO

2014 | 01-10 – 31-12 | Gallery exhibition | IQ Galerie| Zwolle

2014 | 04-10 – 05-10 | Gallery exhibition | Atelier route | Lelystad

2014 | 05-09 – 01-10 | The first minutes after the last performance | Theater Agora | Lelystad

2014 | 22-09 – 03-10 | Sales exhibition Views of the world | Appel Brasserie & Podium | Haarlem

2014 | 01-07 – 01-09 | Still traveling exhibition Views of Fotofestival Naarden | Reade | Amsterdam

2014 | 01-04 – 31-12 | Permanent Sales Exhibition | Gallery Aleksander Art | Lelystad

2014 | 01-04 – 31-12 | Permanent Sales Exhibition | George Fromm Batavia Haven | Lelystad

2014 | 01-01 – 31-12 | Permanent Sales Exhibition | Woonsuxes | Lelystad

2014 | 01-01 – 23-03 | Going on Fotofestival Naarden | Burggolf Purmerend | Purmerend

2013 | 07-12 – 31-12 | Going on Fotofestival Naarden | Burggolf Purmerend | Purmerend

2013 | 01-11 – 06-12 | Continued More Fotofestival Naarden | AIS Lijstenmakerij & Gallerie | Almere

2013 | 26-06 – 10-07 | Continued Fotofestival Naarden expo | Paviljoen Lucht | Lelystad

2013 | 18-05 – 23-06 | Fotfestival Naarden 2013 | Bastion Oranje | Naarden Vesting

2012 | 29-10 – 14-11 | The Photo Academy Award | Fotogalerie Amsterdam | Amsterdam

2012 | 07-06 – 29-09 | The Photo Academy Award | Fotoacademie Eindhoven | Eindhoven

2012 | 04-06 – 07-08 | Double Tree by Hilton | Double Tree by Hilton | Amsterdam

2012 | 30-05 – 16-06 | The Photo Academy Award | Designcentre de Wnkelhaak | Antwerpen

2012 | 27-04 – 22-05 | The Photo Academy Award | Fotogalerie | Groningen

2011 | 14-10 – 16-11 | The Photo Academy Award | Fotogalerie Fotogram | Amsterdam

2011 | 09-09 – 09-10 | The Photo Academy Award | Fotomuseum | Den Haag

2011 | 05-11 – 14-11 | Ontwerp op de weg | Schagchelstraat 39 | Haarlem

2011 | 25-03 – 01-10 | The Photo Academy Award | Fotogalerie | Eindhoven

2011 | 04-03 – 30-03 | The Photo Academy Award | Designcentre de Winkelhaak | Antwerpen

2011 | 14-01 – 15-02 | The Photo Academy Award |Fotogalerie | Rotterdam

2010 | 12-11 – 07-12 | The Photo Academy Award | Fotogalerie |Groningen

2010 | 21-10 – 24-10 | Fiat Lux | Siedlce XII Festival of Science and Arts | Bioloical Institute | Siedlce | Poland

2010 | 01-10 – 07-11 | International Photo Festival GRID 2010 | Blauwe Hallen | Amsterdam

2010 | 18-09 – 24-10 | De Fotoprijs | Nederlands fotomuseum | Rotterdam

2010 | 08-09 – 31-10 | Noorderlicht | Fries historisch en letterkundig museum Tressoar | Leeuwarden

2010 | 28-08 – 26-09 | The Photo Academy Award | Fotomuseum | Den Haag

2010 | 04-06 – 06-06 | International Graduation Photo Academy Exhibition | Loods6 | Amsterdam

2010 | 23-03 – 18-04 | Connections | Jansje | Haarlem

2009 | 27-03 – 21-04 | Het Oog | Photo Academy Amsterdam

Awards

2014 | Nominated for ‘cover of the year’ with a photo for BoerenBusiness Magazine.

2012 | Nominatie Spin Awards voor online campagne tbv Skoda Yeti

Fotografie | Genomineerd 2e ronde PANL

Publicatie in ‘New’ best photography talent 2007 – 2012

2011 | Winnaar TPAA categorie Frame

Genomineerd 2e ronde PANL

2010 | cum laude afgestudeerd aan Fotoacademie Amsterdam

3 x nominatie voor TPAA

nominatie voor de Fotoprijs

nominatie voor PANL

2006 | genomineerd voor de Presse Papier voor een dagbladcampagne voor de Almere Vandaag.

2004 | genomineerd voor de EFFIE voor een campagne van Nickelodeon, strategie en creatie.

2003 | genomineerd voor de ADCN Reclamejaarprijzen (lampen).

2002 | ADCN/Publex wedstrijd voor Van Gilse gewonnen.

Nominatie van Sanoma uitgeverij voor uiting voor Donald Duck.

2001 | In 2001 ADCN/Cebuco wedstrijd voor Centraal Beheer gewonnen.

< 2000 |Twee jaar achtereen de creativiteitswedstrijd, uitgeschreven door Panorama, gewonnen.

Eerste maal voor Schiesser Nederland. Tweede maal voor gelegenheidsklant Mercedes.

Cornelis Jaring

Cornelis Jaring

Cornelis Jaring was born on December 18, 1936 on one of the ‘islands’ of Amsterdam. Most well known is his photographie work on Provo* the Amsterdam hippie-movernent of the 1960s. But from an aesthetical and social perspective his pictures of the Amsterdam harbour are certainly more impressive. Jaring was and is a man of the street. When young he did all kinds of jobs in the harbour of Amsterdam, and assisted his father in his second~hand shop. It was in military service that Jaring first met photography. and although he is a deserving painter too, he never left photography again. He felt at home in the streets of Amsterdam, and photographed people at work, the red light district, the markets, the harbour. In 1962, the year of his first exposition, he ran into Robert Jasper Grootveld, who was to become one of the heroes of Dutch Provo. Jaring followed, covered and became famous with his photographs of the roaring sixties. His Provo-photographs are a sign of the time: dark, quick, moments of great anxiety and activity. His greatest involvement was with the movement’s more playful happenings: the Insect Sect, “the Kitch-Conservatory. His political feelings were never that strong, which made it rather unproblematie for him to sell his pictures of the politically loaded actions to whoever wanted to publish them. lt is for that reason that his work and the history of Dutch Provo gained international recognition, and have become almost inseparable. In the late sixties Jaring started to travel: to the Far East, Northern Africa, the Soviet Union and large parts of Europe. His photographs differ considerably from the work on Provo. Provo was his world, he literally was always close to his subject, whereas his travel-photographs are more distanced, more reflective, the people seem further, away. With the death of Provo, Jarings work has moved definitely in the direction of documentary photography, concentrated on his Amsterdam: life in different quarters of the city, the life and work of chinese populations of Amsterdam, Carnival in the Capital. Influential magazines like Life Time, Stern, and others all over the world have covered Jaring’s work. Since 1971 jaring teaches at the Enschede Academy of Art. In 1987 Christie’s Amsterdam held a sale, comprising 250 photographs of ‘the Amsterdam master photographer’. Jaring is still active as a photographer. Of late he has taken to picture more of the Amsterdam harbour, and of daily life in the quarter around his home. Notwithstanding the wide variety of subjects he “covered”, the travels he made, as a thread throughout his work stands his impressive and still increasing oeuvre on the Amsterdam harbour. It is in a way paradigmatic for his entire oeuvre as it is the ultimate social comment, the universal record of people and their life. It is timeless photography, of hard Work. It is encompassing in it’s aesthetic, its social and political message, and the hard, dark and clear quality of composition and content render this part of his oeuvre unforgettable. Bernie Pasveer.

EXPOSITIONS

1962 Amsterdam, Societeit De Kiekeboe
1966 Amsterdam, Polak en Van Gennep, 10 March 1966
1966 The Hague, Gemeentemuseum, World Press Photo 1966
1967 Amsterdam, Stedelijk Museum, Fotoprijs Amsterdam
1972 Enschede, Vroom en Dreesman, Enschede today
1972 Amsterdam, Museum Fodor, Amsterdamse kunstenaars in Fodor
1972 Amsterdam, Stedelijk Museum, Een kruistocht op de fiets in 15 staties
1972-1990 The yearly exposition in Amsterdam (Stedelijk Museum, De Keerkring
1973 Rotterdam, Museum Boymans-Van Beuningen, De Jaren Zestig
1974 Amsterdam, Van Goghmuseum, World Press Photo 1974
1974 Rotterdam, Lijnbaancentrum
1975 Enschede, Galerie markt 17
1976 Amsterdam, Pasqualerie
1977 Amsterdam, Amsterdams Historisch Museum, Foto’s voor de stad
1978 Arles, La Fete
1978 Amsterdam, De Melkweg, De jaren 68
1978 Enschede, Cafe-chantant De Kater, Dit is je wereld
1978 Amsterdam, Stedelijk Museum, fotografie in nederland 1940-1975
1979 Rotterdam, Museum Boymans, Actie, werkelijkheid en de fictie in de kunst van de jaren zestig in Nederland
1979 Parijs, Institut Neerlandais, La Fete
1980 Amsterdam, Amrogalery
1981 Amsterdam, Museum Fodor, De stad in zwart/wit
1983 Amsterdam, Stedelijk Museum, Een kruistocht op de fiets in 15 staties
1983 Amsterdam, Pasqualerie
1984 Amsterdam, museum Fodor, Honderd mensen van Cor Járing
1984 Enschede, Fotobiennale
1985 Den Haag, Nikkon Fotogalerie
1985 Amsterdam, Amsterdams Historisch Museum, De verbeelding aan de macht
1985 Lelystad, Hotel-Congrescentrum
1985 Nijmegen, Galery De Tweeling
1986 Amsterdam, Amsterdams Historisch Museum, Jarings Jaren Zestig
1986 Eindhoven, Galerie Pennings
1988 Den Haag Galerie Tinao, Expositie Blauw
1990 Amsterdam, open Havenmuseum, Verhalen van Water
1990/91 Amsterdam, Amsterdams Historisch Museum, Chinezen in Nederland
1991 Amsterdam, Heineken Galerij, Carnaval in Mokum
2007 Amsterdam, Oosterkerk, Amsterdam

Paintings and photograaphs are part of the permanent collection of the Stedelijk museum Amsterdam.

Prices

1975 First Prize of Amsterdam, beeld van een stad – World Press Photo.
1979 Photoprize of the eity,of Amsterdam
1986 Assignment of status of Honorary Citizen of Amsterdam

2002 Frans Banninck Cocq penning wegens grote verdiensten voor de fotografie in Amsterdam

B

1966 Cor Jaring, Henk J. Meijer, Dit hap-hap~happens in Amsterdam,

Amsterdam.- Arbeiderspers
1968 Cor Jaring, Je bent die je bent (en dat ben je), Huizen: Tritonpers.
1969 Cor Jaring, ‘Bekentenissen van een beroepsgluurder’ Televisier, 11 May.
1976 Cor Jaring, ‘De sekte van het insekt’, De Post, 2 May.

1984  Cor Jaring, Honderd mensen van Cor Jaring, introduced by H.J.A. Hofland,

Amsterdam: Meulenhoff/Landshoff.
1985 Cor Jaringp Op Blote Voeten, Baarn: De Kern.

1986 Cor Jaring, Jarings Jaren Zestig, introduced by Simon Vinkenoog, Baarn:De Kern

Documentaires
Een potret van een fotograaf – december 2002 (de avonden – VPRO)

Dave Ball

Dave Ball

In the summer of 1971, Dave Ball was one of 80 musicians who answered an ad in the British music weekly Melody Maker to replace the Procol Harum lead guitarist, Robin Trower. “When I got there, they were very tired. It was quite obvious they’d seen too many guitar players. We played some R&B, some blues-type rock’n’roll, and then we went through a couple of their songs,” Ball later said about his successful audition. “They said that I was the only guitarist who had ‘just played’ as opposed to ‘played along’.”

Issued the following year, the ambitious concert recording successfully merged progressive rock and classical music and became the band’s best-selling album. As well as an inspired rendition of “A Salty Dog” and the suite “In Held ‘Twas in I” – featuring some sterling work by Ball – it contained a superlative version of “Conquistador”, which charted internationally and reinvigorated the career of the group forever synonymous with the epochal Summer of Love single “A Whiter Shade of Pale”.

Ball enjoyed himself on tour with Procol, particularly in the US, but quit in September 1972 as they neared completion on their next studio album, Grand Hotel. “I left Procol because I was bored with it,” he told Melody Maker at the time. “There were only so many ideas I could put into that style.”

Erik Hijweege

Erik Hijweege

Erik Hijweege (1963) worked as an advertising agency strategist for twelve years before deciding in 1998 to follow his heart and become a photographer. Since then he has been working on commission and producing personal work. In 2004 he published ‘Noir’. In 2012 the Netherlands photographed as a miniature took centre stage in his book Holland. Since 2003 Hijweege has been using the 19th century wet plate collodion process for his personal work. In October 2014 he published his first book of collodion positives ‘Een eigen gezicht’. Endangered species frozen in ice to reserve them for the future was the subject matter for the Endangered book. This was published in November 2014. Erik is Passionate about traveling and photographing the beauty of the world.

Monographs

Noir, Uitgeverij de Verbeelding, 2004

Human, Blurb, 2009

Holland, Uitgeverij de Kunst, 2012

Een eigen gezicht, Ella Editions 2014

Exhibitions:

http://www.hijweege.com/#/Exhibition/

Publications:

http://www.hijweege.com/#/Publications/Holland/

http://www.hijweege.com/#/Publications/Supercell/

Ewout Huibers

Below Sea Level, The Netherlands in Photographs. This photographic journey takes the reader through a country where water is both a friend and an enemy at the same time. Almost one quarter of the country’s surface is made up of drained inland lakes and land reclaimed from the sea. In such a densely populated country, every piece of land is cherished. In Ewout Huibers’ stunning photographs, the ever-present water plays a natural leading role. Below Sea Level is a painstaking visual study of the land that the down-to-earth and industrious Dutch people have worked hard to create. And their work will never end.

The Netherlands is a small the country. And yet, it took Ewout 11,000 kilometres by car and over 500 kilometres by bike to cover the country. Kilometres well worth spent, if you ask us.

Amsterdam Canals

It is with pride that we announce Amsterdam, A Metropolitan Village, a book about the city we love, and a response to a decade-old question. At MENDO, in the very heart of Amsterdam, we have, since 2002, been asked the same question almost daily: “Do you have a good book about Amsterdam?” Invariably, the answer is: “Nothing that is up to the MENDO standard. This book is our answer. And that answer, from now on, is: “You bet!”

mendo_book_BELOW_SEA_LEVEL_press_images_co2 mendo_book_amsterdam_co

Initiated by MENDO, for a whole year, photographer Ewout Huibers, was given the freedom to wander through the city and capture what he thought was interesting. And the result is at least a tribute of great diversity. From the role of the water in the city to the parasols in the front yards. From an architectural point of reference to a cyclist in the snow. Familiar and surprising, like only Amsterdam can be.

G-brecht

G-BRECHT, 1965, born in Terborg, The Netherlands, lives and works in Amsterdam.
G-BRECHT completed his MA degree at Goldsmiths College University of London, following his study at the Rijksakademie van Beeldende Kunsten [MA] in Amsterdam, the Gerrit Rietveld Academy in Amsterdam and The Royal Academy of Art in The Hague.His work is in numerous public and private collections and has been exhibited extensively in Europe, the US and London.

Selected Solo Exhibitions

2005
  • Pitch
    Art Amsterdam RAI, Amsterdam, Netherlands
2004
  • Unseen
    Artisit, Amsterdam, Netherlands
2003
  • Zone 39
    Houldsworth Gallery, London, United Kingdom
2002
  • Welcome Stranger
    Unilever House Headquarters London, London, United Kingdom
  • Welcome Stranger
    The Economist Building, London, United Kingdom
2000
  • Hello Stranger
    Museum Jan van der Togt, Amstelveen, Netherlands
1997
  • Zone
    Gallery Maria Chailloux, Amsterdam, Netherlands
1996
  • Dutch Interiors
    Gallery Andrea Leenarts, Cologne, Germany
1995
  • Panoramas
    De Baak center for Topmanagment VNO, Noordwijk aan Zee, Netherlands

Selected Group Exhibitions

2006
  • The Sovereign European Art Prize Finalists Show
    Bonhams, London, United Kingdom
  • Admission by invitation
    Gallery Tom Christoffersen, Copenhagen, Denmark
  • Berliner Liste
    House Cumberland, Berlin, Germany
2005
  • Playtime
    Aeroplastics Gallery, Brussels, Belgium
  • The Future is Stupid, Songs for a Future Generation
    Showroom Mama, Rotterdam, Netherlands
  • Art Rotterdam
    Cruise Terminal, Rotterdam, Netherlands
  • Into the Woods
    Art-Space Witzenhausen, Amsterdam, Netherlands
  • Forest
    Nottingham Castle Museum, Nottingham, United Kingdom
  • Forest
    The Oriel Davies Gallery, Powys, United Kingdom
  • Forest
    York Art Gallery, York, United Kingdom
2004
  • Forest
    Wolverhampton Art Gallery, Wolverhampton, United Kingdom
  • Draw-Drawing London Biennale 2004
    Gallery 32, London, United Kingdom
2003
  • Numbers Only
    Arti et Amicitiae, Amsterdam, Netherlands
2002
  • Key Works
    Arti et Amicitiae, Amsterdam, Netherlands
  • In your Time
    Percy Miller Gallery, London, United Kingdom
  • Fantasy Island
    Vertigo Gallery, London, United Kingdom
  • Landscape Now
    Paton Gallery, London, United Kingdom
  • Trinity College 4 MA Graduates Goldsmiths College
    Gallery Zwemmer, London, United Kingdom
2001
  • MA Degree Show
    Goldsmiths College, London, United Kingdom
  • Die Holländische Welle
    StadtMuseum, Jena, Russian Federation

Kevin Erskine

Kevin Erskine

Kevin Erskine was born in Sharpsburg Illinois on January 17, 1956. His family moved to Hoskins Nebraska (population 284) when he was 10. The rich landscape and life as a farmer’s son instilled in him a deep-rooted commitment to Nebraska, family, faith and hard work. At 12 years old Kevin witnesses his first big storm. On June 5, 1968 a category 4 tornado (max. Wind speeds 207-260 mph) passes the city centre. Inspired by the force of nature he takes up photography using his fathers’ camera. Having his first pickup truck at the age of 19, Erskine starts chasing storms. His passion for photography and respect for nature still motivates Erskine to capture super cells with his large format camera. “When it’s blowin’ I’m going”.

Publications: http://www.erskinestorms.com/#/10info/Selected%20Publications/

Show in NY: http://www.erskinestorms.com/#/10info/05SupercellshowNewYork/Supercell_iPad%20HD.flv

Exhibitions: http://www.erskinestorms.com/#/10info/Exhibitions/

Linda van Boven

Linda van Boven

Born in Arnhem, The Netherlands, Linda Van Boven lives and works in Amsterdam. She studied at the Gerrit Rietveld Academy in Amsterdam and at the Accademia di Belle Arti di Brera in Milan. She has participated in group exhibitions in Europe and the U.S. and has worked on several public projects in The Netherlands, Russia, and Italy. She presents a series of photographs of sequential images, charged with emotions. Rhythmic in content and structure, the images range from clay to actual figures. A dynamism and range of emotions are condensed in the clay figures cloaked by chiaroscuro: intensely pensive figures play or sit round a table, one isolated figure writhes in pain, other figures are engaged in vigorous conversation or arguments. In the works Van Boven emphasizes the interplay of psychological battles and social patterns in everyday life.

Read more on Linda’s website

Marion McHale

Marion McHale

Marion McHale (1982) has been a public school teacher for almost 10 years. Inspired by Film Noir, Edward Hopper and Weegee she currently works on her After Hours series. This series focuses on the mysteries going on in public areas after closing time.

Paul Blanca

Paul Blanca

Paul Blanca (c.1958) is a Dutch art photographer who entered the artworld in the begining of the 1980s with his subversive shocking self-portraits. The self-taught Blanca came into touch with the artscene when he met Eva Veldhoen, the daughter of the well-known Dutch painter Aat Veldhoen (1934). The acquaintance with this artistic environment was a real eye-opener for Blanca and shortly after he started photographing, first in color with a small screen camera but very soon after shooting in B&W using a Hasselblad camera (6 X 6 cm).

In 1980 he met the acclaimed choreographer Hans van Manen (1932), who is a meritorious photographer himself and owned a photo studio. Besides their mutual interest in art photography, Van Manen also used Blanca in one of his dance choreographies called Pose in which Blanca performed as a kick-boxer, he was a practitioner of this full-contact sport from the age of 16, surrounded by ballerina’s. Robert Mapplethorpe (1946-1989) who was a close friend of Van Manen was very impressed by Blanca’s self-portraits and later introduced him to New York’s high society (like Keith Haring, Willem de Kooning, Japser Johns, Grace Jones…etc.) stating ‘Paul Blanca is my only competitor’. The art collector Bill Katz says in Anthony Haden Guest’s True Colors – The Real Life of the Art World on Blanca: “…he reaches a kind of poetry few artists have”.

Most of Blanca’s self-portraits deal with strong emotions and violent themes like fear, sadness, pain, agression and sexuality exploring his inner demons. Diametrically against this harsh work, there are the sensitive and gentle pictures like the one called Mother and Son (Mapplethorpe’s favourite) depicting himself in a tender embrace with his mother, both fully naked, or the portrait holding his newborn son in the air called Father and Son. In 1986 Blanca worked on a book called Timing (edition of 1000) which featured the upcoming Dutch artists of the eighties and his photographs were accompanied by poems of Koos Dalstra (1950). For his touching series Par la Pluie des Femmes (1989) he asked his female models to think of their most traumatic experiences. In 1991 he produces the magnificent Sangre de Toro series (see the paragraph ‘Blood of the Bull’ below).

During this time Blanca also started as a research-journalist for the Amsterdam weekly, Nieuwe Revu and the newspaper Het Parool. He wrote about crack and again exploring his own boundaries he started to use it himself, resulting in an addiction. His article for Nieuwe Revu on weapons was the starting point of a downward spiral with him being a suspect in the assault on Rob Scholte in 1995 because of his “knowledge” of grenades. There was a long silence but in 2008 Blanca returned with a project called Mi Mattes photographing the gangmembers hanging around his studio.

Solo exhibition

Museum de Fundatie, Zwolle

2010 – 2010    

Upcoming exhibition.

Portraits Court Zwolle

Cooperation with Joost Zwagerman

Museum Meermanno, The Hague

2010 – 2010    

The Imaginary Image

Ververs Gallery, Amsterdam

2009 – 2009    

Groeps exhibition

Presentation Kristal

Society De Kring, Amsterdam

2009 – 2009    

With Joost Zwagerman and Harald van der Vlugt

Presentation breast cancer project

Museumplein, Amsterdam

2009 – 2009    

Solo exhibition

Gallery Witzenhausen, Amsterdam

2008 – 2008    

With series Mi Matties and Kristal

Solo exhibition

Ververs Gallery, Amsterdam

2008 – 2008    

Group exhibition

Gallery Rademakers, Amsterdam

2007 – 2007    

Solo exhibition

Galeria Antonio Barnola, Barcelona, Spain

2006 – 2006    

Solo exhibition

Gallery Quintessens, Utrecht

2005 – 2005    

Solo exhibition

Gallery Apart, Amsterdam

2005 – 2005    

Museum director

The Gallery, Amsterdam

2005 – 2005    

Series of portraits from the directors from the participating museums in the art night of Amsterdam, e.g. Ernst Veen en Ronald de Leeuw from resp. the Hermitage and the Rijksmuseum.

Exhibition

Galeria Withronom, Barcelona, Spain

2004 – 2004    

Overview exhibition

Museum Jan van der Togt, Amstelveen

2002 – 2002    

Exhibition

Gallery Witzenhausen, Amsterdam

2002 – 2002    

Cooperation with long sentenced prisoners from prison Lelystad.

Portraits Herman Brood

Gallery Witzenhausen, Amsterdam

2002 – 2002    

Group exhibition

Gemeentemuseum, Den Hague

2001 – 2001    

Theme Death

Group exhibition

Gallery Donkersloot , Amsterdam

2000 – 2000    

With Rob Scholte and Koos Dalstra

Participation ‘The 100 best pictures from’

Naarden Vesting, Naarden

1999 – 2000 (1 year)

Solo exhibition

Gallery BZ, Rotterdam

1999 – 1999    

Portfolio Ventallo

Galeria Bravo, Barcelona, Spain

1997 – 1997    

Mujeres Llorando (Crying Women)

Galeria Withronom, Barcelona, Spain

1996 – 1996    

Presentation Rose de Sangre

Christophe, Amsterdam

1995 – 1995    

Solo exhibition

Galeria Ciento, Barcelona, Spain

1994 – 1994    

Exhibition Femmes de Sangre

Art Amsterdam (through Lumen Travo)

1994 – 1994    

Group exhibition

Arti, Amsterdam

1993 – 1993    

Solo exhibition

Lumen Travo, Amsterdam

1992 – 1992    

Works from the year in Egypt.

Toros de Sangre

Lumen Travo, Amsterdam

1991 – 1991    

Solo exhibition

Frankfurter Kunstverein, Frankfurt, Germany

1990 – 1990    

Exhibition group portfolio

Gallery Reiner Opoku, Cologne, Germany

1990 – 1990    

Todo un hombre quiero saber soble los toros with George Dokupil, Donald Beachler and the art critic Juango Baskes.

Duo exhibition

Galeria Angel Romero, Madrid, Spain

1989 – 1989    

With Andres Serrano

Par la Pluie des Femmes

Nikki Marquardt, Paris, France

1989 – 1989    

Par la Pluie des Femmes

Museum Fodor, Amsterdam

1989 – 1989    

Self portraits

Van Reekum Museum, Apeldoorn

1986 – 1986    

Self portraits

Spectrum, Zaragoza, Spain

1985 – 1985    

Solo exhibition

Gallery Hoogstra, Amsterdam

1984 – 1984    

Solo exhibition

Gallery Rob, Amsterdam

1984 – 1984

Pieter Ceizer

Pieter Ceizer

  Studio Ceizer was born out a passion for typography and quality products.

This Amsterdam based company was founded by designer Pieter Ceizer and represents the clothingline ‘Ceizer’ as well as Pieter Ceizer’s artwork and collaborational projects. After 8 years of experience in the industry and various successful collaborations, Ceizer organically grew into an independent lifestyle brand and art & design studio.

All our products reflect positivity. The philosophy is to make something out of nothing. Combining meticulous sewing styles, the finest quality of pre-shrunk cotton and handdrawn empowering statements and artwork. Our products come in limited quantities, only available at a selection of the finest retailers.

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Find more work here: http://studioceizer.com/work

Samuel Turner

Samuel Turner (1974) lives near Brisbane Australia. After finishing College Samuel was employed in a merchant’s office. This job gave him the opportunity to travel outside Australia. Inspired by the Michael J. Leahy explorations into the highland of New Guinea (1930’s) Samuel developed a romantic fascination for other cultures. Several expeditions led him to the heartland of Papua new Guinea and the San tribes in Namibia and the Central Kalahari region in Botswana.

Shyrien

Shyrien

With a passion for unusual unexpected forms Shyrien uses her camera to discover new words in an area not bigger than a square inch. In a world full of social media Sherien prefers to live like a recluse concentrating on her immediate surroundings. No personal contact with the outside world is her motto.

faces